Box 3
Contains 32 Results:
Penobscot Marine Museum, 1939
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Portland, "Four Historic Houses", n.d.
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Portland Museum of Art, 1968 - 1976
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Portraits and image prints, 1926 - 1936
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Printers' marks, collected clippings, n.d.
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Prospectuses, 1930 - 1945
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Pope Pius XI on Christian Marriage, print and clippings, 1933 - 1937
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
The Rabaiyat of Omar Khayyam designs for Webers Book, n.d.
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Southworth Bros., Catalogue of Job and Body Type, 1930
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.
Southworth Press, 1885
This series includes ephemeral pieces of printed materials, most of which is assumed to be printed by the Anthoensen Press. Some materials was also collected and includes samples of other press works or typeface, edges, colors, and patterns that the press has taken inspiration from. These include volumes of collected ephemera, most of which have been unbound and loose pieces rehoused. The majority of the ephemera dates from the midcentury prior to the closure of the press.