Box 7
Container
Contains 10 Results:
Correspondence A, 1963 - 1966
File — Box: 7, Folder: 1
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence B, 1963 - 1966
File — Box: 7, Folder: 2
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence C, photo, 1963 - 1966
File — Box: 7, Folder: 3
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence D, 1963 - 1966
File — Box: 7, Folder: 4
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence E, 1963 - 1966
File — Box: 7, Folder: 5
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence F, 1963 - 1966
File — Box: 7, Folder: 6
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence G, 1963 - 1966
File — Box: 7, Folder: 7
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence H, 1963 - 1966
File — Box: 7, Folder: 8
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence I - J, 1963 - 1966
File — Box: 7, Folder: 9
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence K, 1963 - 1966
File — Box: 7, Folder: 10
Identifier: A05.02.03
Scope and Contents
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Open to Collaborate Notice
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engagement, and partnership with Indigenous Peoples for the care and stewardship of
past and future heritage collections. For more information
read more at Local Contexts.
George J. Mitchell Department of
Special Collection & Archives
Bowdoin College Library
3000 College Station · Brunswick ME 04011-8421
207-725-3288 ·
sca@bowdoin.libanswers.com
Please see our
Recognition of Bias and Potential Harm