Box 6

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

This subseries documents the varied aspects of Hall's career as a book artist, from the practicalities of handling supplies, sales, and promotion, to her collaboration with other book artists and the personal inspiration for her endeavors. Materials include correspondence with mentors, friends, and collaborators; artist's statements; records of purchases; notebooks relating to her works; and an an extensive series of photographs (slides) of the majority of her completed works.

This subseries documents the varied aspects of Hall's career as a book artist, from the practicalities of handling supplies, sales, and promotion, to her collaboration with other book artists and the personal inspiration for her endeavors. Materials include correspondence with mentors, friends, and collaborators; artist's statements; records of purchases; notebooks relating to her works; and an an extensive series of photographs (slides) of the majority of her completed works.