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Box 5

 Container

Contains 35 Results:

Pyramid Atlantic, 2002

 File — Box: 5, Folder: 51
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Shaw Gallery, 2003

 File — Box: 5, Folder: 52
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Smith College, Holding In, Holding On, aside version (1 of 2)

 File — Box: 5, Folder: 53
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Smith College, Holding In, Holding On, aside version (2 of 2)

 File — Box: 5, Folder: 54
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Smith College, Holding In, Holding On, asides, notes

 File — Box: 5, Folder: 55
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Smith College, Holding In, Holding On, background and notes

 File — Box: 5, Folder: 56
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Miscellaneous techniques

 File — Box: 5, Folder: 1
Identifier: M339.1.4
Subseries description From the Sub-Series: In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates: 1968-2004

Mullenberg, Scott + Gail Spaien, Collage in a Book, 1997

 File — Box: 5, Folder: 2
Identifier: M339.1.4
Subseries description From the Sub-Series: In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates: 1968-2004

Mullenberg, Scott, Zygot, 1998 - 1999

 File — Box: 5, Folder: 3
Identifier: M339.1.4
Subseries description From the Sub-Series: In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates: 1968-2004

Portland Museum of Art, Crystal Cawley, "Paper, Books, + Boxes", 2001

 File — Box: 5, Folder: 4
Identifier: M339.1.4
Subseries description From the Sub-Series: In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates: 1968-2004