Box 5
Container
Contains 35 Results:
Miscellaneous techniques
File — Box: 5, Folder: 1
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
Mullenberg, Scott + Gail Spaien, Collage in a Book, 1997
File — Box: 5, Folder: 2
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
Mullenberg, Scott, Zygot, 1998 - 1999
File — Box: 5, Folder: 3
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
Portland Museum of Art, Crystal Cawley, "Paper, Books, + Boxes", 2001
File — Box: 5, Folder: 4
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
School materials, 2003
File — Box: 5, Folder: 5
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
University of Southern Maine, Dennis Gilbert + Rebecca Goodale, Illuminated Autobiography, 1997
File — Box: 5, Folder: 6
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
University of Southern Maine, Photography Art, 1999
File — Box: 5, Folder: 7
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
Yarmouth Middle School, Whole Book, 1997
File — Box: 5, Folder: 8
Identifier: M339.1.4
Subseries description
From the Sub-Series:
In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates:
1968-2004
Guest book, Center for Book Arts' exhibit, 2002
File — Box: 5, Folder: 28
Identifier: M339.1.5
Subseries Description
From the Sub-Series:
Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).
Dates:
1968-2004
Haystack Book Project, 1997 - 2000
File — Box: 5, Folder: 31
Identifier: M339.1.5
Subseries Description
From the Sub-Series:
Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).
Dates:
1968-2004
