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Box 5

 Container

Contains 35 Results:

Yarmouth Middle School, Whole Book, 1997

 File — Box: 5, Folder: 8
Identifier: M339.1.4
Subseries description From the Sub-Series: In 1995, Hall began a concentrated study of the visual arts, a process that she continued until 2002, a year before her death. This subseries documents Hall's process for developing and furthering the technical skills and vision needed to become a creative, accomplished, and successful book artist. There are files from the many workshops and classes she attended including those at Haystack Mountain School of Crafts, Maine College of Art, and University of Southern Maine. Her teachers and...
Dates: 1968-2004

Haystack Book Project, 1997 - 2000

 File — Box: 5, Folder: 31
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Inventory List for Turtle Gallery, August 2001

 File — Box: 5, Folder: 33
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Island Friends II, Falmouth Memorial Library, 2000

 File — Box: 5, Folder: 34
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Island Friends IV, Bates, 2001

 File — Box: 5, Folder: 35
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Island Friends, 2000 - 2001

 File — Box: 5, Folder: 36
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Kingston, Massachusetts, 2002

 File — Box: 5, Folder: 37
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Maine Coast Artists, 2001-2002

 File — Box: 5, Folder: 38
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Maine College of Art, 2001

 File — Box: 5, Folder: 39
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004

Maine Fiberarts, 2000 - 2002

 File — Box: 5, Folder: 40
Identifier: M339.1.5
Subseries Description From the Sub-Series:

Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).

Dates: 1968-2004