Box 1
Container
Contains 42 Results:
Harbour Island, photos and negatives, February 1999
File — Box: 1, Folder: 11
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Test Day, model, text, February 1999
File — Box: 1, Folder: 12
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Sisters, titles, March 1999
File — Box: 1, Folder: 13
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Fish, model, September 1999
File — Box: 1, Folder: 14
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Sea Secrets, model, October 1999
File — Box: 1, Folder: 15
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Danielle's Tea/I'm Confused, papers, ideas, etc., December 1999
File — Box: 1, Folder: 16
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
It's Nothing, vellum sample, December 1999
File — Box: 1, Folder: 17
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Inside Out, spacing for the stencil, March 2000
File — Box: 1, Folder: 18
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Blue Quilt, model, May 2000
File — Box: 1, Folder: 19
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004
Mermaid, title, lyrics, October 2000
File — Box: 1, Folder: 20
Identifier: M339.1.1
Subseries Description
From the Sub-Series:
As a book artist, Martha Hall experimented with a broad range of techniques, materials, and ideas. This subseries documents her creative journey through experimentation and application as embodied in the production of her numerous finished and unfinished artist’s books. Included are paper samples, models, drafts and final versions of text, printing samples, extra pages, and other preparatory and documentary materials, arranged, when possible, by the title of the work to which they relate. ...
Dates:
1968-2004