Ovsz-box 5
Contains 10 Results:
Weaving Classes Taught by Hall, 1979 - 1980? (2 of 2)
Includes schedules, instructions, samples, and other materials that relate to weaving courses and workshops offered by Martha Hall.
Harrisville, New Hampshire 1978 - 1984 (2 of 2)
Materials in this subseries document all aspects of Hall's weaving career including her own training (attendance at the Varpapuu Summer Weaving School in Scandinavia); sales and marketing for her retail store, Martha Hall, Inc.; and the products available through the store and mail order. Within the "weaving records" folders, there are weaving samples, photographs of products, and promotional materials.
Weaving publications and press, 1977 - 1981 (3 of 4)
Materials in this subseries document all aspects of Hall's weaving career including her own training (attendance at the Varpapuu Summer Weaving School in Scandinavia); sales and marketing for her retail store, Martha Hall, Inc.; and the products available through the store and mail order. Within the "weaving records" folders, there are weaving samples, photographs of products, and promotional materials.
Weaving publications and press, 1977 - 1981 (4 of 4)
Materials in this subseries document all aspects of Hall's weaving career including her own training (attendance at the Varpapuu Summer Weaving School in Scandinavia); sales and marketing for her retail store, Martha Hall, Inc.; and the products available through the store and mail order. Within the "weaving records" folders, there are weaving samples, photographs of products, and promotional materials.
Zimmerman, Elizabeth, 1979 - 1981 (2 of 2)
Materials in this subseries document all aspects of Hall's weaving career including her own training (attendance at the Varpapuu Summer Weaving School in Scandinavia); sales and marketing for her retail store, Martha Hall, Inc.; and the products available through the store and mail order. Within the "weaving records" folders, there are weaving samples, photographs of products, and promotional materials.
Calligraphy by Jacqueline Svaren, 1970s
Materials in this subseries document Martha Hall's creative legacy, the impact of her diagnosis and recurrence of breast cancer, and Hall's day-to-day planning and activities. Includes letters and cards from family, friends, and the book arts community; materials compiled by Alan Hall relating to Martha Hall's progressive breast cancer and death; Hall's resumes and artist statements, and daily planners, 1993-2002.
Calligraphy, Martha Hall certificate of achievement, 1977
Materials in this subseries document Martha Hall's creative legacy, the impact of her diagnosis and recurrence of breast cancer, and Hall's day-to-day planning and activities. Includes letters and cards from family, friends, and the book arts community; materials compiled by Alan Hall relating to Martha Hall's progressive breast cancer and death; Hall's resumes and artist statements, and daily planners, 1993-2002.
Guest book, Artists' books by Island Friends, 1999
Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).
Guest book, unidentified exhibit, 2000
Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).
Guest book, unidentified exhibit
Martha Hall worked diligently to share her works with a public audience and her pieces were exhibited in invitational and group shows and one retrospective show during her lifetime. This subseries includes correspondence, working files, and publicity materials for exhibitions. Of particular note are a series of files that document the process of selecting works and writing the catalogue for her retrospective exhibition at Smith College, Holding In, Holding On (2003).