Box 3
Container
Contains 10 Results:
Correspondence X, Y, Z
File — Box: 3, Folder: 1
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Correspondence on Insurance and Security
File — Box: 3, Folder: 2
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Printing of Catalog Correspondence
File — Box: 3, Folder: 3
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Catalog Sales
File — Box: 3, Folder: 4
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Expenditures
File — Box: 3, Folder: 5
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Invitations to the Opening of Exhibit and replies
File — Box: 3, Folder: 6
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Publicity
File — Box: 3, Folder: 7
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Publicity photos
File — Box: 3, Folder: 8
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Publicity photos: Dr. Martin Luther King, Jr., visit
File — Box: 3, Folder: 9
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966
Clippings
File — Box: 3, Folder: 10
Identifier: A05.02.03
Series Description:
From the Series:
The first exhibit of its kind, The Portrayal of the Negro in American Painting was originally held for two months from May 15 to July 15, 1964, but was extended to September 6, 1964 due to popular demand. Marvin Sherwood Sadik, curator of the Museum of Art, organized this exhibit. Includes extensive correspondence with museums and galleries seeking information about paintings for potential inclusion, and arranging for loans of paintings to the Museum of Art, the security of exhibit and...
Dates:
1963 - 1966